Puccini’s operas "Madama Butterfly" and "Turandot" have been subject to new scrutiny in recent years due to their use of musical styles and depictions of Asian culture. The genesis of these works can be traced to a music box from 1877 in Morristown, N.J., which is believed to have inspired Puccini. While the operas have faced criticism for perpetuating racial stereotypes, they also reflect Puccini's genuine interest in blending cultures and telling universal stories. Productions have made efforts to address these concerns, with some American companies offering new interpretations to counter stereotypes. Despite the controversy, the complexity and emotional depth of the characters in these operas demonstrate Puccini's sincere attempt to create a vision of Asia that resonates with Western audiences. The article highlights the need to appreciate Puccini's universalism and acknowledges the evolving discussion around cultural representation in opera.