Cleveland Orchestra's Conductor, Franz Welser-Möst, let the music do the talking at Carnegie Hall, presenting a well-crafted pair of concerts without speeches or encores. The orchestra's refined sound mirrored their maestro's understated poise, showcasing a meticulous and methodical approach. The programming, featuring works from the Weimar era, demonstrated a subtle and cohesive narrative. However, the ensemble's tendency to smooth out individuality detracted from the emotional complexity of Mahler's and Bartok's compositions. Despite this, the concerts were a complete and compelling musical experience, concluding without encores, suggesting the musicians had already conveyed everything they wished to express.